Last month, REITZENSTEIN marked the conclusion of his yearlong residency at the AGH with an astonishing achievement: the completion of his thirty-foot-long tree drawing Maple (2019–20) (fig. 1). Over the past year, the artist, together with Gallery participants, steadily developed the collaborative artwork by writing rows of the word “maple” in dozens of different languages. Given the painstaking labour involved in creating Maple, Gallery visitors were often surprised to learn of its ephemerality. The work’s temporary existence is purposeful, underscoring the performative and process-oriented aspects of REITZENSTEIN’s practice. But for those lamenting that this immensely popular piece no … Continued
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I want to describe a small frustration of mine that I’ve been carrying; one that I feel is worth sharing, if only because it so exquisitely wrought. During the week of March 9, I spent a chunk of time laying out an exhibition in our Upper Fischer Gallery, a space colloquially known as the Community Gallery, dedicated … Continued
Patrick was a giggler. And while this probably isn’t the right way to begin a tribute to a wonderful curator, colleague, friend, and man, it’s always the first thing that comes to mind when I think of him. And in many ways, I think it says so much about the kind of person he was. … Continued
Since the pandemic happened, I have felt very busy, but a very different kind of busy. A kind of busy where I am constantly unsure that I actually am busy. You see, while I try to continue my job in Programs and Education for this gallery, my wife works as the director of a shelter … Continued
It’s boggling to calculate the ways this major pandemic has altered our perspective on things. Art, for example, means something different than what it did three weeks ago. It certainly functions differently, because so many other things have fundamentally changed—the public sphere is now an exclusively virtual space, the economy is morphing into something unrecognizable—time, … Continued
While our Gallery doors remain temporarily closed, our exhibitions continue to be a source for exciting arts engagement from the comfort of our homes. Opened in November, Building Cultural Legacies has provided a unique exhibition space for interested visitors to engage with Hamilton’s arts history through archival materials, collection works, short films, and a gallery-wide … Continued
A few weeks ago, anticipating the bloom of COVID-19 in this city and contemplating the possible public closure of this Gallery, I had the naivety to think that the process of doing so, painful as it would be, might also be relatively simple: cancel some events, make some apologies, put a sign on the door and … Continued
Early Snow and its companion exhibition The Contemporaries, curated by James King and Tobi Bruce respectively, presents a thrilling snapshot of the art production that orbited Toronto in the 1950s and 60s. Together these exhibits give context and then provide an unfolding of Snow’s emergent process: his early experiments with serialization, his mash-ups of sculpture, … Continued
Our Winter Exhibitions Opening took place this weekend! The opening featured our new Gallery Level 1 exhibitions, which include The Artist’s Dream: Works of French Symbolism, Early Snow: Michael Snow 1947–1962, and The Contemporaries. Did you miss the Opening? Enjoy this sneak peek into our new exhibitions! The Artist’s Dream: Works of French Symbolism brings … Continued
A new decade has arrived, and with it a whole new suite of exhibitions coming soon to our walls! Amongst our upcoming exhibitions are The Artist’s Dream: Works of French Symbolism and Early Snow: Michael Snow 1947-1962, opening February 1 and February 8 respectively. As we prepare for this new year full of unforgettable arts … Continued